this is just to say: The Beat Up

19 September 2010

The Beat Up

I tend to forget or try to sidestep my body sometimes (out of some small amount of shame for just existing, I suppose).

For instance, yesterday in my first class to introductory boxing, we practiced our stances, and the 1-2 combination. I am right-handed, so I figured I should do what the majority of the class was doing. Except in reality, I do most sports and kinesthetic things left-handed. This usually poses a slight awkwardness in which it looks like I don't know which orientation I am (because it should be simple, right?)--because I never am very certain exactly which orientation I am.

The point is that I had to switch to a left-handed stance, making my mimicking of others and the instructor a little clumsy. I cannot deny what feels natural is what I'm trying to say, I guess.

That and the fact that this morning when I woke up, my entire body felt/feels beat up. I'm always sore the next day. Sore in strange places that I don't really employ.

I hate feeling vulnerable. The catch but no release. I wanted to contain the fear, to go about my hours as I would, alone. To not let known what is hidden inside. Revelation is devastating for me.

I am driven by fear; all my actions and inactions orbit fear. I fear the reaction, the lack of reaction. The unmet tooth in a mouth with no tooth beneath/above it to stop it from falling out (true fact). Some kind of Laika effect.

My season of Sputnik Sweetheart. I do not like this place. I want the feeling to always be like the first moment of hesitation, want, and recklessness. The risk and the reward of warm things.

My release brings me only this heavy loss.

from "Euphoria," by Sina Queyras

1

Dear Regret, my leaning this morning, my leather foot, want of stone, my age
Old, burnished and bruised, my hair lingering, my hand caked, spongy as
November my dear Relentless, my dear Aging, your voice tinny, dissonant
As Stein shot through decades of war and Fortrel, cocktails on the hour,
Zeppelins over Piccadilly, bombing blindly in the fog. Dear Skin, dear Tobacco
Mouth my refusal, my merely geographic, my fibrous strings for you: your
Abundant wit, your lack of shadow and still joy nosing the air. Each moment
Stretches toward you, your dry feet: I carried them, pumiced and peppery
Laid them where regret is a biscuit thing to lean upon and sweeten,
My hour of you, my cursive thoughts, a pulpit beating under these ribs.

2

Dear Time, you swallowed us whole, swallowed us lovely, sharp as bones
Crimping sadly under foot my benign, my flotsam and crabs thin as leaves
Your smoothing, your sinking in. Mornings or mooring, or wallowing
Jericho: tapioca air indolent. I am still there, supple and driftwood, you lovely,
You loved me, your memory dark and west, thoughts like tugboats stitching
The horizon, you pulling me, my pudding, my thin crustacean, sideways
In the late afternoon, your gaze, having so soon forgotten the sharpness
Of mornings, the bite of your look serrating the hour: my treasures, all
Of them, for the pleasure of that slice once more, of our dangling,
You and me, the lot of us in some car, driving some hour, mapless.

3

Under a spiderweb, a tire, slouched: flat, sad-lipped, I think of Newton
Of the original apple, all of these clones since, all of these scentless
Descents. I shake my glass, shake again, melted suffixes tinkling; observe
All things natural: foliage unfurling like old bills, wryly betraying
Your habits, like the dog who digs and rubs, the dog who whines, who
Paws and circles, you trace. Why is pain so much better than nothing? Or
The mark of it more understandable? Why is saying nothing so much better?
Your one-liner like blossoms, uplifting, your currents strap me to air, yes
I guess there is a little texture up here, and oxygen pure as baby’s toes
Which if I recall, are sweet as kernels of corn, if I recall so long ago.

4

To arrive is practice, conversation or conversion, a story over a field
My Sweet, of concrete or whispering, furrows of a path no longer, not
Sure, was there, and snow combed in curlicues and dog ears a zigzag
Through January. Sure you are witty, but are you any less romantic?
In my remembering, I have undone all my beliefs, it is a luxury to lay
Unencumbered here, or there, the bones flexed with tendons, the
Spine like a seahorse, the heart far from a cliche unless beating is
Innocent, though innocence is not as supple as you think, nor as flexible,
Nor as perfumed, nor convenient, or even clean: between things regret
Gathers force. I remember that day: it was cold and the coffee tepid.

5

The small red balloons like thumbprints, waves green as the brush of
Cedar, the wind lapping your hoodie, blind strings tap the air, camera
Bobbing like a dog’s tail. Such lightness, the dog heading off, all
The dogs of English Bay angling off-leash. I would follow backward,
Lay old maps on your white sheets, so sincere, I am in earnest for you:
We won’t regret having not yet knit our acrid puns and jaded barbs, nor
Having the wind slip in under our belt loops, though I gently refuse
Gor-Tex, and you bet I will not concede the game. Those small red
Balloons like tulips in your eyes specs of amber, an amulet, an avatar,
My thoughts of you fully indexed, ready to step into.

19 September 2010

The Beat Up

(underbed stor)age